いづれとか分きて眺めむ消えかへる
露も草葉のうへと見ぬ世を
露も草葉のうへと見ぬ世を
- Roma-ji
-
Izure to ka wakite nagamemu kiekaeru
tsuyu mo kusaba no ue to minu yo o - English Translation
-
Which of them should I
single out and dwell upon?
In a world where dew
that vanishes and forms again
is not on grass blades alone
- Meaning
- Which of them should I single out and dwell on, in a world where the dew that vanishes and forms again does not lie on grass blades alone?
- Commentary
-
Part Two: Yugiri
Yugiri answered Kumoinokari's poem with this one. Asked to choose between the living and the dead, he says that the impermanence of the world cannot be divided that way—and so slips past the question of the Fallen Leaf Princess. His wife was not satisfied, and her suspicion deepened. When at last he brought the Princess back to the Ichijo residence, the marriage broke past repair.
"Single out" takes up her either-or exactly. "Dew that vanishes and forms again" is dew coming and going, an image for a life that does not last. "Not on grass blades alone" means that what happens to dew happens to people too. Turning a particular question into a general truth about impermanence, he appears to answer and does not—which is the whole point of the exchange.
- Author
- Murasaki Shikibu
- Source
- Genji Monogatari
- Other
-
- I did part my way through the thick grasses of the autumn field, and yet did I ever knot the grass into a pillow for sleep
- Knowing it for what, am I to give you comfort? Is it the living one you long for, or the one who is gone that grieves you so
- The village being far, I have parted my way through Ono's bamboo grass, and I too, like the deer, do not spare my voice at all
- The mountain dwellers, whose mourning robes are heavy with the autumn dew, have added a voice of their own to the crying of deer