花ざかり春は見に来む年きりも
せずといふ種は生ひぬとか聞く
せずといふ種は生ひぬとか聞く
- Roma-ji
-
Hanazakari haru wa mi ni komu toshigiri mo sezu to iu tane wa oinu to ka kiku
- English Translation
-
When the flowers are
at their height in spring I shall
come and look at them
for I hear that seed is up —
the seed that comes to no end
- Meaning
- When the flowers are at their height in spring I shall come and look at them, for I hear that the seed is up — the seed that comes to no end.
- Commentary
-
120 The Plum That Bloomed at Last
The Chancellor Fujiwara no Tadahira had been a minister for a long while, but Fujiwara no Nakahira, known as the Minister of Biwa, was long in becoming one; and at the celebration when at last he did, Tadahira put a spray of plum in his hair and composed "Osoku toku tsui ni sakikeru ume no hana ta ga ueokishi tane ni ka aruramu". When an account of the day, with the poem, was written to the High Priestess of Ise, the Lady of the Bedchamber, a daughter of Fujiwara no Sadakata, added "Ikade kaku toshigiri mo senu tane mogana areyuku niwa no kage to tanomamu". Her wish was granted: Fujiwara no Saneyori began to visit her, and she was blessed with children and her house prospered. At that the High Priestess sent "Hanazakari haru wa mi ni komu toshigiri mo sezu to iu tane wa oinu to ka kiku". That is the whole of the section.
Fujiwara no Tadahira rose to Chancellor and appears in the ninety-seventh through ninety-ninth sections. Fujiwara no Nakahira, known as the lord of the Biwa mansion, exchanges poems with Toshiko about the oak in the sixty-eighth section; the two were brothers by the same mother. The Lady of the Bedchamber was a daughter of Fujiwara no Sadakata and appears as the Lady of Sanjō in the ninety-fourth through ninety-sixth sections. Fujiwara no Saneyori was Tadahira's son and sends her a poem in the ninety-sixth.
The setting is after the change in the Lady's fortunes: Saneyori had begun to visit her, she had children, and her house prospered.
What prompted the poem was that news. It was sent by the High Priestess to the Lady.
The section closes with it, having run from Tadahira's poem at the celebration, through the Lady's wish, to a poem of congratulation on its fulfilment. This poem was later included in the Gosen-shū.
The opening promises to come and see the flowers at their height in spring, the verb carrying the speaker's own intention. It takes the form of an engagement to visit.
The seed that comes to no end is taken over word for word from the Lady's poem.
The closing says she has heard that it is up, the grammar marking the news as received at second hand.
The Lady wished for a seed; the High Priestess answers that, hearing the seed has grown, she will come for the flowers. Wish, fulfilment and congratulation are tied together by the single run of words from seed to flower, and the three poems make one continuous line. The plum Tadahira put in his hair comes back here as flowers.
- Source
- Yamato Monogatari
- Other
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- Late or early, they have bloomed at last, these blossoms of the plum — and whose hand was it, I wonder, that put the seed into the ground
- How I wish for such a seed as that — one that will not fail from year to year, to be the shade I trust in this garden going wild
- A single night — one joint of the bamboo flute — with- out you beside me and I cannot help but cry aloud in a thousand voices
- A thousand voices — is it only words you blow What I do not hear is the flute called Kochiku, whose very name says: come this way