思ひそめ物をこそおもへ今日よりは
あふひ遙になりやしぬらむ
あふひ遙になりやしぬらむ
- Roma-ji
-
Omoisome mono o koso omoe kyō yori wa aoi haruka ni nari ya shinuramu
- English Translation
-
I have begun to
love, and to be full of thought;
and from this day on,
will the hollyhock day of
meeting be far off from me?
- Meaning
- I have begun to love, and to be full of thought; and from this day on, will the day of meeting be far off from me?
- Commentary
-
68 The Yamato-Seeming Woman: The Exchange on Mount Miwa
One day in the fourth month she took Michitsuna with her to Chisokuin. On the way back they saw a lady's carriage of some distinction; Michitsuna followed it and traced it to a house at the foot of Mount Miwa. The next day he sent the lady a poem. She said she had no idea what it meant, but he sent another, and she answered.
The author was a daughter of Fujiwara no Tomoyasu. Michitsuna was her son, eighteen that year. The text calls the woman only the Yamato-seeming person and gives no name. Mount Miwa is a poetic place in Yamato, known from the old poem in which a cedar marks the house one is to visit.
It is the fourth month of the third year of Tenroku, and the place is the woman's house at the foot of Mount Miwa.
Coming back from Chisokuin, where the author had taken Michitsuna, they saw a lady's carriage of some distinction; Michitsuna followed it and traced it to a house at the foot of Mount Miwa. The next day he sent the lady this poem.
She said she had no idea what it meant. Michitsuna sent another, "Warinaku mo sugi tachinikeru kokoro kana miwa no yamamoto tazune hajimete," and she answered.
The opening means to begin to feel, the word that announces the start of a love. The second, bound by an emphatic particle, declares that he is full of thought. So far the poem says only that a love has begun toward a woman glimpsed the day before. The third marks off the time: from today onward. The word in the fourth is the hollyhock and also the day of meeting, and on it the poem turns; the fourth month is the month of the Kamo festival, when hollyhock is worn, so that the season's own plant carries the sense of a meeting. The close asks, in the conjectural mood, whether that day will be far off — so that from the very day the love begins its distance is already the subject. To state the beginning and the remoteness in one breath is the poem's whole posture, and as a first approach it is conventionally well made. Set beside the poem Kaneie sent the author at the opening of the first book, which announced his suit outright and without any go-between, the son's verse begins quietly and by way of a seasonal word — a visible difference of manner.
- Author
- Fujiwara no Michitsuna
- Source
- Kagero Nikki
- Other
-
- Counting up the nights you turned away in a moment, I find the snipe cries that even both its wings have grown weary with the reckoning.
- How can it be? The snipe, not knowing the count of its own wing-strokes, cries out in a voice for which all that thinking was to no purpose.
- Past all reason my heart has grown and stood up, tall as a cedar — since I first came seeking the foot of the mountain called Miwa.
- To wait and look for you at Miwa would be an ill-omened thing; so, even if a cedar stands there, I cannot let you know of it.