年月のめぐりくるまのわになりて
思へばかゝるをりもありけり
思へばかゝるをりもありけり
- Roma-ji
-
Toshitsuki no meguri kuruma no wa ni narite omoeba kakaru ori mo arikeri
- English Translation
-
The years and months come
round, and have become the wheel
of a carriage; and
looking back, I find there have
been such moments even as this.
- Meaning
- The years and months come round, and have become the wheel of a carriage; and looking back, I find there have been such moments as this.
- Commentary
-
97 The Poem on the Carriage Wheel
In the eighth month smallpox broke out and reached this neighborhood, and the Assistant Master fell gravely ill. On the first of the ninth month he recovered. On the day he first went out again, his carriage met on the road the carriage of the household he had been writing to; somehow the shaft caught and there was trouble. The next day a poem came from there, with word that she had known nothing of it the night before. He took the letter in, read it, wrote a few words in an ordinary hand along its edge, and sent it back with repeated protestations of his own. The author remarks that this too might pass.
The author was a daughter of Fujiwara no Tomoyasu. The Assistant Master is her son Fujiwara no Michitsuna, appointed Assistant Master of the Right Stables that year. The woman of the household he wrote to is not named in the text. The smallpox of that year is recorded in the diary as having carried off both sons of the Chancellor of Ichijō.
It is the ninth month of the second year of Tenen, and the places are a road in the capital and the author's dwelling.
On the day Michitsuna first went out after his recovery, his carriage met hers on the road and the shaft caught. The next day this poem came from her, with word that she had known nothing of it.
He took the letter in, wrote in an ordinary hand along its edge, and sent it back with repeated protestations of his own.
The opening sets the passage of time and hands on to the second line, where the word for carriage means also the interval in which time comes round; on it the poem turns, so that the plain fact that they met in carriages becomes the very word for the turning of the years. The third line names the wheel of a carriage: a wheel goes round and round in the same circle, and so shows how the years return upon themselves. The fourth looks back, and the close states as a discovery that there have been such moments as this. A chance event — two carriages meeting and their wheels touching — is taken as proof that the turning of the years brings such occasions about, and the poem moves in a single word from a concrete object to the abstraction of time. Among the poems by others that the diary records, this one is notable for the quickness with which an accident on the road is made the occasion of a verse.
- Source
- Kagero Nikki
- Other
-
- Sighing, I pass the nights and days; and the cuckoo goes on crying, crying there in the shadow of these white deutzia flowers.
- Why should it cry there of all places, in the shade? I have always heard that the branch of the deutzia has a heart that hides things well.
- The kinship of the grass withered by frost is what moves me; and when it greens again — the horse returning — I would have that horse grow tame.
- Push through the bamboo grass and the wildness only grows the greater. Is this a grove beneath which a horse could ever be made tame?