classic waka stream

梅の花匂ひを移す袖の上に
軒漏る月の影ぞ争ふ
Roma-ji

Ume no hana nioi o utsusu sode no ue ni nokimoru tsuki no kage zo arasou

English Translation
The plum flower's scent
has been transferred to my sleeve
and there upon it
the moonlight through the eaves' edge
contends with it for the place
Meaning
The plum has left its scent on my sleeve, and there the moonlight leaking under the eaves contends with it.
Commentary
Book One Spring Poems I 44

Headnote: from the time when he presented a hundred-poem sequence.
Four poems now join the scent of plum to the moon. This is the first: the fragrance caught in a sleeve and the moonlight falling under the eaves are made to struggle on that same sleeve. The headnote refers to the Shoji sequences of 1200.
This is Teika's third appearance in the book, after the thirty-eighth and fortieth poems.
The time is a night in the plum season; the place is beneath the eaves of a house.
The occasion was the presentation of the hundred-poem sequence.

The first two lines describe scent passing from the flower into a sleeve, which recalls the practice of perfuming clothes with incense.
The third line narrows the setting to the surface of a sleeve, in deliberate contrast with the whole sky of the fortieth poem.
The fourth line names moonlight coming in through the gap under the eaves; the word used for it means light.
An emphatic particle governs the verb at the close. To set fragrance and light quarrelling is to give both a will, and the poem's whole conceit is packed into that one word.
Scent belongs to smell and moonlight to sight, and both are laid on a single point. Where the fortieth poem let fragrance haze an entire sky, this one draws everything down onto a sleeve: one poet handling one subject at both scales.
Author
Fujiwara no Teika
Source
Shin Kokin Wakashu
Other