classic waka stream

花さそふ比良の山風吹きにけり
漕ぎ行く舟の跡見ゆるまで
Roma-ji

Hana sasou Hira no yamakaze fukinikeri kogiyuku fune no ato miyuru made

English Translation
Calling the flowers
the wind off Hira has come
down and blown, until
the wake of the passing boat
can be seen upon the lake
Meaning
The wind off Hira has been through, calling the blossom down, until the track of a boat rowing away can be seen on the water.
Commentary
Book Two Spring Poems II 128

Headnote: on blossom over a lake, among fifty poems presented.
The topic named is blossom above a lake, and the conceit is that petals lying on the water make the wake of a boat visible.
Kunaikyo was a lady-in-waiting to Retired Emperor Go-Toba and died young. In Book One she is the poet of the fourth and seventy-sixth poems.
The time is when the cherries fall; the place is Lake Biwa in Omi Province and Mount Hira, which rises along its western shore.
The occasion was the presentation of the fifty poems.

The first line, modifying the wind, means to call the flowers out and scatter them. It is the verb Ietaka used in the seventeenth poem of Book One, where the wind was asked to call out the warbler.
The second line fixes the place: a wind coming down off Hira onto the lake, so that mountain and water are joined in one line.
An exclamatory auxiliary in the third line marks the recognition, as in the hundred and eighteenth poem. In both, the wind is inferred from its effects rather than seen.
The fourth and fifth lines mark degree. Petals cover the surface so completely that the open water opened by a boat shows as a line. The quantity of blossom is conveyed by an indirect fact, the boat's track.
The unseen wind is reached through the petals and then through the wake, a double indirection; the method of the fourth and seventy-sixth poems in Book One, which turned on what can and cannot be seen, is at work here again.
Author
Kunaikyo
Source
Shin Kokin Wakashu
Other