classic waka stream

夕されば玉散る野辺の女郎花
枕定めぬ秋風ぞ吹く
Roma-ji

Yū sareba tama chiru nobe no ominaeshi makura sadamenu akikaze zo fuku

English Translation
When the evening comes
where the beads of dew are shed
the maiden-flowers
cannot settle on a place
to lay their heads: the wind blows
Meaning
When evening comes, on the moor where the dew is shed like beads, the autumn wind blows and gives the maidenflowers no place to lay their heads.
Commentary
Book Four Autumn Poems I 338

Headnote: for the contest in fifteen hundred rounds.
The third poem on the maidenflower. Flowers that will not stay still in the wind are taken for a woman who cannot settle where to sleep. The headnote assigns it to the contest in fifteen hundred rounds.
The poet, given by his court title, is Fujiwara no Yoshihira (1184-1240), a son of the Regent Fujiwara no Kanezane and younger brother of Yoshitsune, poet of the two hundred and ninety-third and others. In Book Two he is the poet of the hundred and forty-fourth poem.
The time is an autumn evening; the place is a moor where the maidenflower grows.
The occasion was submission to the contest.

The verb in the first line means to come round: when evening comes on. It is the phrase of Sanesada's three hundred and fourth poem.
The second line means a moor where dew is shed like beads, the figure used in the three hundred and thirty-fourth poem.
The third line names the flower.
The fourth line means unable to settle where to lay one's head. Flowers unsteady in the wind are described as the restlessness of one sleeping alone, on the assumption that the flower is a woman.
An emphatic particle governs the verb at the close. The restlessness of the three hundred and thirty-second poem, there given to clover, is here transferred to the maidenflower.
Author
Fujiwara no Yoshihira
Source
Shin Kokin Wakashu
Other