秋風は身にしむばかり吹きにけり
今や打つらん妹がさ衣
今や打つらん妹がさ衣
- Roma-ji
-
Akikaze wa mi ni shimu bakari fukinikeri ima ya utsuran imo ga sagoromo
- English Translation
-
The autumn wind now
blows so it pierces my flesh—
so it has become;
is my love now pounding out
the cloth of her humble robe?
- Meaning
- The autumn wind has come to blow so cold it pierces to the bone; is my beloved beating her robe on the fulling block even now?
- Commentary
-
Book Five Autumn Poems II 475
Headnote: "Topic unknown."
This is the first poem of the fulling-block sequence. The autumn wind now blows cold enough to pierce the body, and the speaker wonders from afar whether his wife is beating robes at this moment. The headnote gives no topic, and the circumstances of composition are not recorded.
The author was an official and poet of the mid-Heian period.
The scene is late autumn when the wind pierces the body, both where the speaker stays apart from his wife and at her distant home.
The direct occasion is not recorded.
Fulling cloth with a mallet on a block was autumn night work done to soften cloth and give it sheen. Under the influence of Chinese poetry, waka too came to depict a wife beating robes while thinking of a husband far away.
In the first line, "wa" marks the autumn wind as the topic.
The second line, "mi ni shimu bakari," means "so much it pierces the body," showing how cold the wind is.
In the third line, "ni" is the continuative of the perfective "nu" and "keri" exclamatory, expressing the realization of the wind's chill. The poem breaks here. Taking up the autumn cold of 454 and the poems after it, the book turns to poems of robes.
In the fourth line, the interrogative "ya" is bound to "ran," the attributive of the conjectural "ramu," guessing that at this very moment someone far away is beating robes.
In the last line, "imo" is wife or beloved and "sa" a prefix. Ending on a noun, it names at the close the robe being beaten. The speaker imagines his wife preparing winter clothes for him as the cold deepens, and the fulling-block sequence opens from the standpoint of one who thinks from afar of the person beating robes.
- Author
- Fujiwara no Sukemasa
- Source
- Shin Kokin Wakashu
- Other
-
- Crickets never tire through long nights that will not dawn in the old village— and to deepen my sorrow the wind in the pines blows too
- In a trackless yard, tangled in the sparse sedge grass, bound up, pent within— from the depths of the dewdrops the pine cricket's waiting voice
- Pillowed on the sound of robes being beaten, here at Sugawara's Fushimi, how many nights have I left my dreams undone?
- Robes are beaten near a hut on the mountain peak— like its brushwood, oft I know not the path of dreams as I pillow on my arm