classic waka stream

吹く風に折れ伏しぬれば女郎花
籬ぞ花の枕なりける
Roma-ji

Fuku kaze ni orefushinureba ominaeshi magaki zo hana no makura narikeru

English Translation
Bent down by the wind
that blows across the garden,
the maiden flowers
have found within the hedge
a pillow for their rest
Meaning
Bent and laid low by the blowing wind, the maiden flowers have found that the hedge is their pillow.
Commentary
Book Four Autumn Poems I 254

Headnote: "Topic unknown"
Seeing maiden flowers bent and laid low by the wind, leaning against a hedge, the poet realizes that the hedge is their pillow. Likening the maiden flowers to a woman, he sees their leaning against the hedge after being blown down as the figure of a woman resting her head on a pillow. The poems on maiden flowers end here.
The author, "Fujiwara no Yukiie," was the son of Fujiwara no Yukikuni and a courtier of the late Heian period. Little is known of his life.
"Susono no hagi zo magaki narikeru" in 248 of this book sees bush clover as a hedge, and this poem sees a hedge as the pillow of maiden flowers; the two echo each other through "magaki" and the pattern "zo ... narikeru."

First line, "fuku kaze ni": "by the blowing wind." After 252 showed maiden flowers bending in the wind, this poem shows them blown down.
Second line, "orefushinureba": "orefusu" means to break and fall prostrate, and "nure" is the realized form of the perfective "nu": "since they have been laid low."
Third line, "ominaeshi": names the subject, the maiden flowers.
Fourth line, "magaki zo hana no": a "magaki" is a loosely woven hedge, and "zo" links with "keru" in the last line. Like "magaki narikeru" in 248 of this book, it speaks of a hedge.
Fifth line, "makura narikeru": "keru," the attributive of "keri" expressing realization, closes with "zo," seeing the flowers leaning on the hedge as one resting on a pillow.
Author
Fujiwara no Yukiie
Source
Senzai Wakashu
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