Nezameshite kikanuokikite wabishikiwa arisonamino akatsukinokoe

English Translation

Waking in the night
and hearing what was never heard,
the desolate thing
must be the voice at daybreak
of waves on the rough rocky shore

Meaning

What is desolate, waking in the night to hear what one never heard before, must be the daybreak voice of the waves on the rough shore.

Commentary

Book Two: Niijimamori

The narrative traces the rise of the warriors: the two lines of Minamoto and Taira had served in turn as guardians of the court. The Taira descended from Emperor Kammu, and after Kiyomori's house was destroyed the line of Koretoki sank wholly into the common people, so that only Taira no Shiro Tokimasa remained, in the district of Hojo in Izu. On the Minamoto side, Yoritomo, eighth in descent from Emperor Seiwa, had been exiled to Hirugashima in Izu after the Heiji disturbance; the Cloistered Emperor Go-Shirakawa, harassed by the Taira, summoned him and had him raise an army. The Taira were scattered in the autumn winds of Juei, and Yoritomo, though he stayed at Kamakura, held the realm in the palm of his hand. Going up to the capital at the beginning of the Kenkyu era he was met at the post station of Hashimoto in Totomi by courtesans and exchanged linked verse with them; made Provisional Major Counselor and Commander of the Right, he resigned the offices at once, and taking the post of chief constable of the provinces he installed his own warriors as land stewards. The narrator judges that the decline of this country began here. As he was going back east, the Yoshimizu bishop, who had long prayed for him, sent him a poem, and Yoritomo replied. In the first month of Shoji 1 Yoritomo died at fifty-three. His son Yoriie succeeded him but proved unsettled, lost the warriors' loyalty, was killed at Shuzenji, and his young son Ichiman was destroyed as well. Sanetomo then rose without hindrance in rank and office, and while worshipping at the Hachiman shrine as Minister of the Right he was cut down by Kugyo, Yoriie's son, on the twenty-seventh day of the first month of Joukyu 1. With no heir, his mother the Lady of Second Rank, Masako, served in the shogun's place, and in time the two-year-old son of Kujo Michiie was sent down to Kamakura, so that everything lay in Yoshitoki's hands. About this time the retired emperor was secretly forming a design, and those who served near him thought of nothing but bows and arrows. In the fourth month of Joukyu 3 the emperor abdicated to the four-year-old crown prince. The design gradually leaked out, and the eastern deputy Iga no Hangan Mitsusue was attacked and cut his belly. In the east, Yoshitoki sent a great host up to the capital under his brother Tokifusa and his eldest son Yasutoki. Yasutoki turned back alone on the road to ask his father what should be done if the imperial palanquin were set at the head of the enemy; Yoshitoki answered that if the sovereign came out in person they should take off their helmets, cut their bowstrings and submit, but that otherwise they should fight to the death. In the capital the bridges of Uji and Seta were broken down, rites past counting were performed, and the retired emperor went secretly to the Hie shrine, where a god possessing a child declared that because of an old grievance over the carrying of the sacred palanquin he could not take his side this time. Past the tenth day of the sixth month, with scarcely a battle, the imperial forces were beaten. After the rising, the senior retired emperor Go-Toba was moved to Oki and the new retired emperor Juntoku to Sado, and the emperor was set aside after little more than seventy days. The middle retired emperor Tsuchimikado had had no part in it, but thinking it presumptuous to remain quietly in the capital while his father was carried so far away, he asked to go down to Tosa, and was later moved to Awa. The dwelling at Oki stood on an island far from any village, with a gallery of pine pillars thatched with reeds, stripped of ornament yet made elegant in its way, looking out over a wide stretch of sea. There the retired emperor composed poems with the seasons, exchanged letters with Shichijoin and with Ietaka, and had the poems of those months gathered and sent to Shumeimon'in.
Minamoto no Yoritomo was eighth in descent from Emperor Seiwa, grandson of Tameyoshi the Rokujo Magistrate and third son of Yoshitomo, Master of the Left Horse Bureau. His wife was the daughter of Hojo no Shiro Tokimasa, and their sons were Yoriie and Sanetomo; Kugyo was Yoriie's son. Tokimasa's sons were Munetoki and Yoshitoki; Yoshitoki's brother was Tokifusa and his eldest son Yasutoki. The Lady of Second Rank, Masako, was Yoritomo's wife and the mother of Yoriie and Sanetomo. The Yoshimizu bishop Jien was a poet-monk who long held the office of Tendai abbot. Go-Toba's mother was Shichijoin, Juntoku's was Shumeimon'in, and Tsuchimikado's was Shomeimon'in. The father of the boy sent down to Kamakura was the Minister of the Left Kujo Michiie, whose wife was the daughter of Lord Kintsune; Kintsune's own wife was the daughter of the Middle Counselor Yoshiyasu of Ichijo, whose mother was Yoritomo's sister. Ietaka of the second rank was among those called to compile the Shinkokinshu and was employed intimately by the retired emperor in the way of poetry. Iga no Hangan Mitsusue was in the capital as the deputy of the east.
Sorrowful letters kept arriving from every quarter, as though tied to the wings of the first wild geese, and the sight of them drew tears from him past bearing.
Ietaka of the second rank had been among those called to compile the Shinkokinshu and had been employed intimately in the way of poetry, so that his longing night and day was past all measure. He sent scroll upon scroll, written page after page—as one imagines it must have been when the man went from Ise to Suma—saying that the memory of the old days at the Bureau of Poetry was in a hundred ways hard to bear, and that he resented his own hard life for lasting until now; and with all this, so full of feeling that it could not be told, came this poem.
The retired emperor found it deeply moving and wrung out his sleeves. From here the poems on his dwelling at Oki follow.

The first line, waking in the night, is the conventional opening for the desolation of nights away from home or in exile. The second says he hears what was never heard before, and by repeating the same verb in negative and positive form it sharpens the strangeness. The topic particle in the third line introduces what is desolate and carries over to the noun at the close. The fourth line gives the waves against a rocky shore, and the poem ends on the word for a voice, so that the sound of the water is stopped short as if it were human speech. The whole is composed by a man in the capital imagining the nights of the retired emperor at Oki: rather than stating his own grief, he names the sound that must be reaching the other's ear. It answers the narrator's comparison with the Suma chapter of the Genji, and all the feeling for someone far away is gathered into the single act of listening.

Author

Fujiwara no Ietaka

Source

Masukagami

Other